• Strong and durable surface for drawing.
• Excellent for color drawing media, such as soft pastels, oil pastels, and crayons.
• In color drawing media, eliminates the “white grain” in the media on a white sheet of paper.
• Creates the illusion of a drawing already being “filled in” from the beginning.
• Very smooth, clean surface.
• Excellent for pens, brush pens, markers, ink, pencil.
• Thicker and sturdier than most paper and won’t warp with ink.
• Terrific for illustration & comics.
• Has a slight tooth, allowing it to “grip” charcoal dust effectively.
• Creates a beautiful texture in your charcoal drawing.
• Best surface for charcoal drawing.
• Easy to erase into.
• Huge range of rice papers are available of varying textures, thicknesses, colors, etc.
• Wonderful for relief printmaking and chincollé.
• Highly absorbent to ink and sensitive to relief blocks in printmaking.
• Excellent surface for all dry drawing media.
• Acid free, 100% cotton paper, 250 GSM (grams per square meter)
• Same thickness and rigidity as Stonehenge White & Stonehenge Warm White.
• Highly durable paper that can withstand rigorous drawing approaches.
• Has 5 neutral colors: Natural, Faun, Warm White, Cream, and Pearl Grey.
• Neutral colors create a solid, tonal foundation to build a drawing upon.
• Excellent surface for all dry drawing media, particularly for quick sketches.
• Acid free, 100% cotton paper, 135 GSM (grams per square meter)
• Thinner than Stonehenge White.
• Light delicate paper which is durable, but not rigid.
• Bright white color.
• Excellent surface for all dry drawing media.
• Acid free, 100% cotton paper, 250 GSM (grams per square meter)
• Same thickness and rigidity as Stonehenge White.
• Highly durable paper that can withstand rigorous drawing approaches.
• Has a lovely, cool yellow tint creating softer look compared to the bright white color of Stonehenge White and Stonehenge Light.
• Excellent surface for all dry drawing media.
• Acid free, 100% cotton paper, 250 GSM (grams per square meter)
• Thicker and more rigid than Stonehenge Light.
• Highly durable paper that can withstand rigorous drawing approaches.
• Bright white color.
• Soft cover allows the sketchbook to bend easily, but is still sturdy enough to let you draw standing up.
• Fits well into a flatbed scanner.
• Also available in sketch paper, mixed media paper, and toned paper.
• Cold Press paper has a rough, textured surface.
• Hot Press paper has a very smooth surface.
• One is not better than another, it just depends on what type of surface you prefer, depending on the media you are using.
• Hot Press paper works really well with gouache.
• Extremely smooth surface, makes Bristol board feel coarse!
• Unlike watercolor paper, you can lift most of any water soluble media with a rag without damaging the surface at all.
• Water soluble media adheres very well and glides beautifully across the surface.
• Never buckles, stays perfectly flat as you work and after the media dries.
• Made of 100% polypropylene.
• Beautiful translucent surface for wet art media.
• Extremely smooth surface, makes Bristol board feel coarse!
• Unlike watercolor paper, you can lift most of any water soluble media with a rag without damaging the surface at all.
• Water soluble media adheres very well and glides beautifully across the surface.
• Never buckles, stays perfectly flat as you work and after the media dries.
• Made of 100% polypropylene.
• Highly durable opaque surface for wet media, thickness is similar to Bristol board.
• Extremely smooth surface, makes Bristol board feel coarse!
• Unlike watercolor paper, you can lift most of any water soluble media with a rag without damaging the surface at all.
• Water soluble media adheres very well and glides beautifully across the surface.
• Never buckles, stays perfectly flat as you work and after the media dries.
• Made of 100% polypropylene.
