0:19 Consecration of the Avignon
0:41 Library research
1:50 Sketching from Life
2:10 Reference images
3:14 Thumbnail sketches
4:30 Rapidograph pen
5:06 Ink gradients
6:08 Ink bleeds
6:56 Pencil sketch, artist’s tape
8:13 Pen drawing
9:10 Erasure before wash
11:03 Shadows & lighting
11:53 Subtle gradients
“Before this tutorial, all my pen and ink drawings were either black or white, where I only used pure India Ink straight from the bottle to color large areas of solid dark color. However, now I have discovered that you could do so much more with India Ink and create a variety of opacity values just by adding water to the ink, similar to watercolor.
My historical illustration is based off of the Salem Witch Trials, and I don’t think I could have portrayed the eerie mood of this event without the use of a variety of gray tones.
As it was my first time using ink wash, I found it difficult to control the opacity levels, as unlike watercolor, in which the medium itself is a solid substance, India Ink is liquid, and when mixed with water still appears the same black color in the palette, so there were a lot more trial and error in my artistic process than I was used to, but the results were definitely worth it!”
“I recently listened to an episode of the podcast Stuff you Missed in History Class, and that’s where I got the inspiration for this illustration. The Straw Hat Riot of 1922 happened when boater hats were supposed to be put away in exchange for warmer wool hats for the winter months. An article had just come out that instead of putting away hats on a certain date, September 15, men should use the weather as an indicator for changing hats.
Inexplicably, the straw hat began breaking out on September 16, when young boys started to steal and smash the hats of men out and about in New York City. To this day, no one know why it became so frenzied. I thought this would be a fun event to do my piece on. I placed the scene in Central Park, because in my head I saw a man going about his business, on a pleasant calm walk in the park when his hat is wrenched from his head and his peaceful afternoon abruptly ruined.
This was a tough piece for me! I haven’t worked with traditional illustration in some months, and I’ve rarely ever worked with water based painting. It took me some time to sketch out the characters. One of the sketches is particularly amusing to me because the boy is much larger than the man and has a frightening look of intensity. I think this was a good learning experience to try and work on light sources, water based painting and being careful because whatever I put down isn’t coming up. And also more dynamic posing, as that’s something I tend to be lazy about improving.”
“This project was a new experience for me as I used the a water brush for most of the piece. It was a challenge as the pigmentation of the ink would be used quickly and I had to control the amount of water being used with each stroke.
Because it was an ink based project, I wanted to portray an eerie but beautiful scene. The Singapore lantern festival I thought was a perfect fit to what I wanted to express and I created two thumbnails before I dived in.
I have had experience with ink wash and using ink before but using the water brush, it was hard to layer and blend smoothly. I also used the wrong paper and it would absorb the water too quickly, making it warp in areas that I used a lot of water.
I wanted to be more simplistic with my design because most of my ink wash artworks were very detailed and realistic. This project was a great way to ease up on my fine arts skills and allowed me to freely created an iridescent atmosphere with a playful style. What I learned is that the water brush is a tool I should use more often and always layer with light tones first then go darker.”