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Man with an Umbrella

7″ x 9″


Clara Lieu, RISD Adjunct Professor

Clara Lieu

Art Prof & Partner

Alex Rowe, Illustrator & Children's Book Artist

Alex Rowe

Illustrator & Children’s Book Artist

Lauryn Welch, Painter & Performance Artist

Lauryn Welch

Painter & Performance Artist

Artist Statement
This drawing is my first ‘full charcoal’ drawing; just a tiny piece of charcoal (a burned spindle piece) and a piece of kraft paper.

I wanted to create an atmosphere of darkness and rain, something very communicative. Without any pre-drawing, I just let my hand guide the work. The act of letting this hand do the full job alone, plugged with the mind, was magic. For me, this is the hardest thing to do for an artist, just stop thinking, splurge into your universe and fully trust your hand and mind.

Charcoal and simple paper are for me the best media for this kind of exercise.

8 responses on "Group Art Critique: Efge"

  1. Dear Elizabeth,
    What I appreciate most in doing art is seeing people and other artists participate. For me art is made for people and must enable them to participate. I was wondering if I was to explain some points on this piece or if I’d better let people put their own universe in this drawing. I think I should do so and appreciate your universe within my own. I definitely think that a drawing, a painting, a song or any piece of art whatsoever is the best place to share our universes. Thank you for your time and feedback, I’m very happy with it!

  2. Hi Deepti,
    This is exactly what I was thinking about. I first tried on white paper and didn’t match the expected. But working on this simple kraft piece of appart was successful. Once I’ll be done with my business deal I will work on this.
    Thank you very much for you time and input which is much much appreciated.
    Warm regards
    Fabrice “Efge”

  3. I really love this piece– it’s so atmospheric. I love taking walks in the rain and I love walking at night, so the piece really resonated with me in relation to those experiences.

    I found the conversation around the light mark on the right side of the work to be intriguing. On the one hand, I agree that it does seem to stand out in a way that unsettles the piece a bit. I think when I first saw it I imagined it as a spot of moonlight that had broken through a cloudy sky, but I suppose it’s too bright for that and is probably a window? I liked the idea of it being a chink of light from a curtained window. I would be curious to see how the piece would look if the light was diffused more, but at the same time I wonder if it would take away a point of interest in the work. Sometimes I find something I think of as a flaw in a piece is really what makes the piece interesting. (I had a painting where I took out an entire branch of a tree because I thought it looked weird and then realized it was an essential part of the composition and had to put it back in.)

  4. Wow, this piece is so delicate, yet bold! You’re very successful in your technique with charcoal, especially when using its reductive qualities. For someone who is new at using charcoal, you’re off to a wonderful start!

    I’m really drawn to how the texture and color of the paper you used is adding to the piece. I feel like it adds to the overall “gritty” feeling, in a way that a piece of extremely smooth white paper wouldn’t have! I would love to see you explore your techniques on various surfaces such as different types of paper, or even found objects. This may also work wonderfully with the improvisational method you’re exploring. You could work with the first piece of paper you find when rummaging through your art bin, or go for a walk and use the first piece of bark/a leaf you find as a surface. Who knows what mark making or textural qualities you make discover!

    Keep making and keep exploring!

  5. Thank you for your comment, this deeply touched me. I am actually working on different media but for the moment this is just work and work on drawing techniques… still looking for me 🙂
    You can see other works on my Insta @efge_art
    How about you Casey?
    Kind regards

  6. I love the mystery of this piece – a truly effective use of charcoal and the kind of really dynamic atmosphere that it’s capable of achieving. I can’t believe this is your first charcoal piece! To me, it reads as extremely self-assured.

    I’m really fascinated by the improvisational method you’ve used, as well. It makes me wonder what you could accomplish with a combination of approaches, maybe using smaller pieces like this as “studies” for a larger work that is just a little more planned. You’re really onto something, here! Now I just want to see more!

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