Skip to main content

Kate Churches

acrylic on canvas paper
9″ x 12″

View from the Piedmont

Deepti Menon, Filmmaker & Animator

Deepti Menon
Filmmaker & Animator

Artist Statement
“I’m a 39-year-old mother of three in South Carolina and a self-taught artist. My first formal painting class was in 2001 at the Greenville County Museum of Art. Then, I learned basics of composition in a photography workshop at the Gibbes Museum in Charleston. I enjoyed taking unusual photos, and I painted sporadically since then, with a long break after my kids.

Recently, I picked up my brushes again. My inspiration is nature. I paint as I view my surroundings. Usually, I will choose an element from nature and hyper-focus on detail with an inconsequential background, although I have dabbled in landscape painting.

The blue jay and cardinal painting was done during the presidential election, when people of different races and cultures faced each other, and often clashed. Here in the painting, they mirror each other in different colors, and they face on equal terms, seriously but peacefully. One of the ideas in mind as I devised this work was ‘we don’t have to be birds of a feather to flock together.’

The positive response from the Art Prof team inspired me to spend more time painting, and a friend who saw my work on Facebook got me a job working in a sip & paint shop as teacher for adults and children. For adult classes, I specialize in Master copies, ‘trying on’ the styles of Monet, Van Gogh, and Matisse. This experience translated into experiments in my work with touches of unrealistic, vivid colors and a more painterly approach. I’ve discovered joy in watercolor painting, especially in a Chinoiserie style which suits my love of birds and flowers.”

Purchase a critique or Skype consult

Video Transcript
“Right away, I notice how wonderfully the blue and red complement one another in this image. The pose of the two birds also complement each other as although they are not the same bird, they do hold a lot of similar physical characteristics, almost creating this very cool mirroring effect.

I’m really enjoying how the red bird is leaning in towards the other one ever so slightly, that pose along with along with its big marbley eye, read as if it’s a very curious bird, which gives this piece a lot of character.

I really feel an interaction happening between the two of them. I would love to see you explore more with complementary colors and shadows. Explore how warmer tones in the blue bird may give it a better sense of volume and increase the effect of shadows and vice versa with the red bird.

Similarly, I’d love to see this apply to the branch that they’re on and even in the background to  increase an understanding of space and texture, but I think you’ve done a really great job of creating a lovely image and a very vibrant portrait of these animals.”

Donate to keep Art Prof free for all!


4 responses on "Kate Churches"

  1. There’s some really nice brushwork going on in this painting. You strike an effective balance throughout between areas of detailed specificity and moments of true simplicity. I’m particularly drawn to the head of the cardinal, where the silhouette is rendered in a really crisp, graphic way, while the black patterning on its face is also very simple, but expressed with a more painterly mark. On top of all of that, the fine detail in the eye really brings it together – that little white highlight is exquisite!

    I also love the element of the mirroring profiles, which does a great job of setting us up to read comparisons in the birds’ shapes. It’s certainly a confrontational pose, but to be honest I don’t read your concept in the image, alone. I admire that you’ve taken on this topic and are trying to express it in a subtle way, but you might need to give us a little bit more to clue us in… To my eyes, although it’s present in the relationship between the birds, their placement within the frame could be revised to amplify that tension. This concept might require you to do a whole series to communicate it properly – but based on this start I think you’re up for the challenge!

  2. I am so pleased to hear about your constructive reaction to the election, and your use of metaphor and humanization to tackle this delicate subject. I think your concept was really well handled! And I totally love the choice of blue jay and cardinal, seeing it as a standoff between the red and blue political poles. Being the bird nerd here *ahem*, this image is especially cool to me, because these kinds of interactions between these two species can and do take place, although maybe not as exaggerated as this. Blue jays are known as bully birds. They supposedly take over feeders and chase away smaller, more delicate birds like cardinals. But back at home, we host a clan of thirty or so blue jays as well as a sweet cardinal couple, and they have always lived in harmony with each other. There is the occasional wary face off around a pile of seeds, but it never ends badly for either set of birds. I think our society has a lot to learn from these feathered fellows.

    I think it would really benefit you to depict at least a vague sense of place in your painting. One of the joys of spotting both blue jays and cardinals in the wild is that they appear as bright jewels against their surroundings. In your painting, both the blue jay and cardinal are competing with the saturated solid blue of your sky, and they shouldn’t be. An addition of desaturated foliage might set them off better, and actually might be a better middle ground. Then the red and the blue would feel more balanced.

    Lovely work, I’m so glad you got back into painting!

  3. Lovely work, with such a subtle execution of a powerful message! The birds appear so confrontational in their stare-down pose, but we know how unnatural it would be for them to attack one another – really wonderful way to add further depth into the piece! To build off Prof Lieu’s idea of more color variation, two things really work for me – one, not using a sketchbook just go for a walk (it relieves the pressure of making work, you then just enjoy the walk!) and really look at the colors and how they work. Notice everything, and keep special mental notes on the colors of things you would have previously labeled “brown” or “grey” – like a common asphalt street! Really examine it…it’s more than just “black and yellow” – but what is it? 🙂
    Second, studying how color works in theory is a great tool to have in your palette! For example, we always start to make shadows by mixing black with the color of the form – but really, a shadows color is dependent on the color of the light! A warm light (like the sun) will make cool shadows – so with the cardinal there, the shadows should have some subtle purple, rather than simply dark red.
    But your application and markmaking with the brush is so lively and genuine, I’m so glad you’re picking up the easel again! I want to see more of your work as it grows!

  4. Very exciting to see that you have recently gotten started painting again!! One aspect of being an artist that I love is that you can literally pick it up any time you want! (as opposed to athletes whose careers are basically over by the time they are 40 years old)

    I like the way that you have the birds facing each other; it seems like you are hinting at a specific relationship between the birds. When I think about it, this seems like an unusual situation, I don’t know tons about birds, but I feel like it would be rare to see two birds almost in each other’s faces the way they are depicted here.

    I would recommend that you think about ways to get your colors more adventurous and varied. Right now the colors are quite literal: the cardinal is red, the sky is blue. However, if you look very carefully at the sky, you might notice a slight tint of purple, a moment of green. Even in a red bird, there can be shades of purples or browns embedded in the feathers. We have a Still Life course here using crayons that talks a lot about how to mix more unusual colors and layer them. Even though you are not using crayons, the fundamental ideas at the same.

    Keep going, it’s wonderful that you are painting again!!

Leave a Message

This site uses Akismet to reduce spam. Learn how your comment data is processed.