This video shows multi-color linoleum block printing techniques from beginning to end, in order to create an editorial illustration.
- Watch the 2 min. version (editions vs. artist proofs)
- Watch the 6 min. version (brainstorming)
- Watch the 58 min. version (full tutorial)
Techniques for carving into the linoleum are done, showing a variety of different marks that can be made with the linoleum cutter.
Printing techniques are covered as well as the elimination technique which allows for several colors to be printed from a single linoleum block.
Demo led by Art Prof Clara Lieu.
- Choosing a newspaper article
- Mind Maps
- Avoiding art cliches
- Thumbnail Sketches
- Tracing paper for sketches
- Relief vs. Intaglio printmaking
- Mounted vs. Unmounted linoleum
- Preparing the block
- Water vs. Oil Based Ink
- Sketch to Block
- Heating the block with an iron
- Tools and Safety
- Blade sizes, grip, hand position
- Elimination block techniques
- Carving techniques
- Tearing Paper
- Proofing with graphite
- Rolling techniques
- Pulling the print
- Ink viscosity
- Editions of prints
- Color gradients
- Signing Prints
Prof Lieu’s Tips
The mindset that you have when you’re working on an artwork is immensely impactful, and often does dictate our creative decisions.
Often we think it’s all about whether we added blue, or chose to make a change in a composition.
I’ve seen working with students in the classroom that a shift of mindset can completely change the direction and progress in a piece.
Nothing has changed in terms of what their hands are physically doing, but because they pivot in another direction, the artwork changes.
Unmounted linoleum is a lot cheaper, but it’s a pain to work with!
At some point you’ll need to wash the ink off your linoleum sheet, and getting the sheet wet will cause the linoleum to warp. The warping makes it a lot tougher to get a clean print.
If you can afford it, it’s really worth it to buy mounted linoleum blocks.
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