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0:20 Linoleum Block Printmaking
0:40 Choosing an Article: Headlines
1:33 Brainstorming: key words
3:28 Mind Map: word association
5:02 Visual References: avoiding cliches
7:47 Thumbnail Sketches: format
8:43 Composing thumbnail sketches
12:54 Tracing paper, cropping
14:55 Relief vs. Intaglio printmaking
15:38 Mounted vs. Unmounted linoleum

16:36 Preparing the block
19:38 Sketch to Block
20:44 Heating the block with an iron
21:42 Bench hook, linoleum cutter
23:08 Carving: blade sizes, grip
25:50 Elimination block techniques
29:49 Carving techniques: effects
30:24 Tearing Paper: torn vs. cut paper
31:07 Proofing with a graphite stick
34:27 Rolling: pressure & speed of breyes

36:50 Hand-printing, registration
37:20 Printing: hands, breyer, baren
39:01 Pulling the print
40:04 Inking
41:22 Construction vs. rice paper
43:16 Elimination prints: multiple colors
46:03 Registration: marking corners
46:58 Yellow Ink: Ink viscosity, editions
50:20 Mixing colors: color gradients,
54:42 Black Ink: Registration risks
55:30 Artist’s Proofs, editions

Get Project Ideas Notifications
Clara Lieu, RISD Adjunct Professor

Clara Lieu
Art Prof & Partner

Anjali Shankar

Anjali Shankar
Assistant Editor, Production Assistant

Prompt

Create an editorial illustration for an article from the Opinion section of the New York Times using the linoleum block printmaking technique.

Supplies

Art Prof Caution

Linoleum cutters are extremely sharp and it’s very easy to cut yourself by accident! Always place your hand which is not holding the linoleum cutter behind your hand to prevent cuts. Use a bench hook to keep the block from moving around as you cut.

Art Supplies: Mounted Linoleum Block
Costs more, but is really worth the investment because it won’t warp.
Art Supplies: Unmounted Linoleum Block
Use instead of mounted linoleum, however, when wet unmounted linoleum warps a lot and is hard to print.

The Real Problem with Lunch

By Bettina Aelias Siegel
Jan. 15, 2016, The New York Times

“Houston — THERE’S something about comparing America’s school food to the superior meals in other countries’ schools that we seem to enjoy, in a masochistic sort of way…”

Artwork by Sina Seri

Depraved Indifference Toward Flint

By the Editorial Board
Jan. 22, 2016, The New York Times

“The 274 pages of emails released under pressure on Wednesday by Gov. Rick Snyder of Michigan show a cynical and callous indifference to the plight of the mostly black, poverty-stricken residents of Flint, who have gone for more than a year with poisoned tap water that is unsafe to drink or bathe in…”

Artwork by Hannah Falvey

When Can Women Stop Trying to Look Perfect?

By Jennifer Weiner
Jan. 8, 2016, The New York Times

“As a lifelong devotee of fashion and tabloid magazines, I’ve read dozens of “Beautiful/Sexy at Any Age” features. You’ve probably seen these spreads, showcasing a bevy of lovely women whose faces, fashions, exercise routines and skin-care regimens are laid out to encourage imitation. For years, readers could stare at starlets and actresses and singers in their 20s, their 30s, their 40s and even edging bravely into their early 60s…”

Artwork by Sandra Mora

A Placebo Treatment for Pain

“The crisis of painkiller addiction is becoming increasingly personal: Sixteen percent of Americans know someone who has died from a prescription painkiller overdose, according to a recent Kaiser Family Foundation survey; 9 percent have seen a family member or close friend die…”

Artwork by Lee Moistoso

The Real Problem with Lunch

By Bettina Aelias Siegel
Jan. 15, 2016, The New York Times

“THERE’S something about comparing America’s school food to the superior meals in other countries’ schools that we seem to enjoy, in a masochistic sort of way…”

Artwork by Jessica Dough

Letter of Recommendation: Terro Liquid Ant Bait

“Have you ever had an anxiety attack? One of those full-blown panic freakouts: Your hands are tingling, your head is swimming, your skin is crawling and — my God — you want to run away, but you can’t, so you crumple wherever you are, even if that means at your desk, in front of your entire office…”

Artwork by Dorothy Windham

How Both Parties Lost the White Middle Class

“Long after the dust settles in Iowa — and New Hampshire, and even the 2016 campaign itself — one question will remain: Why, after decades of supporting the liberal and conservative establishments, did the white middle-class abandon them? Wherever Donald J. Trump and Bernie Sanders end up, their candidacies represent a major shift in American politics…”

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